Through the Multiverse
Through the Multiverse explores how urban reflections create layered realities, parallel narratives formed by glass, light, and surface. Shot through windows and façades, these images dissolve the boundaries between interior and exterior, presence and absence, observer and observed.
The work invites viewers to look beyond the obvious and engage with what overlaps, distorts, or vanishes. In this reflective multiverse, meaning is not fixed, it is fractured, refracted, and deeply felt.
Sculpted by Light
Sculpted by Light is a monochrome series exploring the geometric abstraction of architectural surfaces. By isolating rhythm, repetition, and texture, I reinterpret buildings as minimalist compositions shaped by light and shadow.
The absence of color sharpens focus on form, turning structural details into meditative patterns. Through precise framing and perspective, these images reveal a visual order within the complexity of the urban landscape — where architecture becomes sculpture, and light is the sculptor.
Liminal Figures
Liminal Figures is a photographic exploration of human presence in transition—where figures dissolve into shadow, blur, or reflection, suspended between visibility and disappearance. Captured in public spaces, these subjects appear faceless, partial, or obscured, evoking the anonymity and dislocation of contemporary city life.
Liminal Figures witnesses passage, quiet moments of becoming and fading, glimpses of lives that never fully arrive.
Close to the Wall
Close to the Wall is a photographic study of the hidden details within urban graffiti, faces, brushstrokes, and textures framed in isolation. By focusing on fragments, the work shifts attention from the spectacle of street art to its overlooked margins, where surfaces reveal tension between creation and decay.
Cracks become skin, paint becomes gesture, and noise gives way to silence. Close to the Wall is an intimate encounter with what urban walls quietly remember.
Framing Silence
Framing Silence is a quiet exploration of windows as thresholds, between inner life and the external world, stillness and the passing of time. Photographed mainly across Mediterranean towns, each frame captures not just a window, but a story marked by texture, erosion, and symmetry.
Shutters hint at absence or refuge; a reflection becomes a memory. These architectural details are no longer mere surfaces, they hold silence, witness, and the residue of lived experience.