Landscapes
Landscapes explores the city reduced to its essential forms. This body of work focuses on architecture, surfaces, light, and space—often with little or no human presence—to reveal the quiet structure beneath urban complexity. By isolating geometry, repetition, and subtle tonal shifts, these images transform familiar city fragments into abstract compositions. The intent is not to document place, but to distil it: removing noise to expose balance, tension, and stillness within the built environment.
Sculpted by Light
Sculpted by Light is a monochrome series exploring the geometric abstraction of architectural surfaces. By isolating rhythm, repetition, and texture, I reinterpret buildings as minimalist compositions shaped by light and shadow.
Through the Multiverse
Through the Multiverse explores how urban reflections create layered realities, parallel narratives formed by glass, light, and surface. Shot through windows and façades, these images dissolve the boundaries between interior and exterior, presence and absence, observer and observed.
Liminal Figures
Liminal Figures is a photographic exploration of human presence in transition—where figures dissolve into shadow, blur, or reflection, suspended between visibility and disappearance. Captured in public spaces, these subjects appear faceless, partial, or obscured, evoking the anonymity and dislocation of contemporary city life.
Everyday’s Edges
Everyday’s Edges isolates human fragments within the urban environment, reducing the figure to minimal gestures that speak louder than full portraits. By removing faces and identity, the images shift attention toward movement, texture and tension—reminding us that the essence of a moment often lies in what is only partially seen.
Close to the Wall
Close to the Wall is a photographic study of the hidden details within urban graffiti, faces, brushstrokes, and textures framed in isolation. By focusing on fragments, the work shifts attention from the spectacle of street art to its overlooked margins, where surfaces reveal tension between creation and decay.
Framing Silence
Framing Silence is a quiet exploration of windows as thresholds, between inner life and the external world, stillness and the passing of time. Photographed mainly across Mediterranean towns, each frame captures not just a window, but a story marked by texture, erosion, and symmetry.
Thresholds
Threshold is a focused study of door locks as both functional objects and cultural artefacts. Stripped from their architectural context, these details become sculptural form, shaped by craftsmanship, time, and use. The series explores the tension between access and exclusion, security and invitation, permanence and decay. Through close observation of materials, patina, and design, each image treats the lock not as a minor detail, but as a quiet marker of history, identity, and human presence.